Tag Archives: Exhibit

War on Walls Exhibit is NOW OPEN

I’m excited to announce that my exhibit War on Walls: Egypt’s Arab Spring Street Art is now open to the public! On Sunday we held the opening reception for the exhibit and it was a smashing success with a huge guest attendance!

Details on Exhibit:

St. Mark’s Cathedral Nave
Capitol Hill, Seattle
January 11 – February 15, 2015
Daily 7am-7pm; free to public

To purchase one of the limited edition fine art prints from the exhibit contact genevieve@geneveivehathaway.coom (note they are going fast so purchase yours before they are sold out).

My exhibit War on Walls is now open to the public. Stop by St. Mark's Cathedral to look at this groundbreaking photography project.

My exhibit War on Walls is now open to the public. Stop by St. Mark’s Cathedral to look at this groundbreaking photography project. Photo courtesy of Truc Allen Media.

War on Walls has been a 3 year long journey to photograph the Arab Spring street art, publish the project as a book and now hold it as an exhibit. During that time, I also had a number of public speaking engagements on the topic at conferences and universities. From Cairo, to Melbourne, to Seattle, to Brown University to Oregon State University, this project spanned three continents, three countries, and two hemispheres. (Who knows what’s next, maybe a traveling exhibit??? And exhibit in Europe. If you have connections or ideas drop me an email, I’d love to hear from you!)

For me this journey began back in 2003 when I was studying Egyptology at the American University in Cairo. At that time, the AUC campus was located on Tahrir Square. I studied Egypt’s most famous pharaohs and ancient piles of rubble on the street where the largest massacres and protests of Egypt’s revolution took place. Though today AUC’s campus is outside of Cairo at the town of Heliopolis, the former AUC campus on Tahrir Square and Mohammed Mahmoud street is still used as admin buildings, bookshops and libraries. Most of the images shown from Egypt’s revolution and these street art images in this exhibit took place in front of the buildingswhere I studied in 2003. Behind the image of Mubarak and Tantawi’s faces merged together, that is where I had a Cultural Geography Class. The image of the two bulls fighting that looks reminiscent of Guernica, behind that wall was the building where I would use the computer lab. (They had a fleet of dot matrix printers, so old I had never seen one but knew the perforated edges that you tear off. ) This personal connection to the streets and buildings where Egypt’s revolution took place made the Arab Spring and this project to photograph its street art even more personal.

Fastforward to 2012.  When I began this project in early 2012, I was working in Cairo, living in a hotel room facing onto Tahrir Square. The regime had toppled, former President Hosni Mubarak had been forced to resign a year earlier and presidential elections had been scheduled for June 2012, just a few months away. Tahrir Square teamed with individual protestors, formal political groups and random citizens, giving voice to every type of civil complaint – from politics and police to taxes, utility expenses, and traffic congestion.

Street art was a defining feature of the Egyptian revolution: raising awareness of political and economic issues, pressuring the regime and governing bodies for change, injecting dark humor into turbulent times, and providing a visual memory of important events and individuals.

Living on Tahrir Square, I observed the wall art grow and change to reflect current events and the demands for social, political and economic change. I was inspired by the artists’ dedication to creating these complex, culturally significant expressions of Egypt’s Arab Spring. For me, photography is a powerful tool to change perspectives and share untold stories. In creating these photographs, I intend to show a different side to Egypt’s Arab Spring revolution – the ability of art to change individual’s perspectives and impact larger social movements.

I hope you enjoy the exhibit! Email me at genevieve@genevievehathaway.com with thoughts or questions or post them in the comments.

Thank you to St. Mark’s Visual Arts Ministry, MidEast Ministry and also the Seattle Office of Arts and Culture for their support of this exhibit.

Posted in Arab Spring, Egypt, Exhibition, Media, Photos, Prints, Public Speaking Also tagged , , , , , |

Update: War on Walls Prints Ready to Exhibit

Recently, I visited my framer, Frame It in Seattle, to sign the limited edition fine art prints for my War on Walls photography exhibit. I’m excited how the prints and matts turned out — they look stunning! I invested in the highest quality ink, paper, custom cut matts and frames. The results has been stunning fine art prints of my War on Walls photographs, documenting Egypt’s Arab Spring street art.

This personal project has been ongoing now for 3 years. The project began in early 2012 while I was living on Tahrir Square. I witnessed the importance and impact of the ever changing street art and knew it had to be preserved and documented in a visual medium. I began photographing Egypt’s Arab Spring street art and researching the complex messages being left by artists. In 2013, I published the project as a book, then went on to speak about the impact of the Arab Spring street art at many universities and conferences. The final evolution of this project is exhibiting the most important, iconic and provocative of the images at St. Marks Cathedral on Capitol Hill beginning January 11th through February 15th.

Join us on January 11th, from 12:30pm-3:30pm for the opening reception. The gallery is in the Nave, open to the public daily 7am-7pm (except Sunday morning during Mass). All the prints will be available for purchase. These are limited edition prints with only one run, so I recommend purchasing them early to ensure you get the one you want. Contact me at genevieve@genevievehathaway.com for further details on purchasing these stunning prints or for additional details on this project.

 

War on Walls Signed Print.

War on Walls Signed Print. Available for purchase at the Seattle exhibit.

 

War on Walls signed print. Available for purchase at the War on Walls exhibit.

War on Walls signed print. Available for purchase at the War on Walls exhibit.

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Posted in Arab Spring, Egypt, Exhibition, Photos, Prints Also tagged , , , |

War on Walls Exhibit Update

My upcoming Exhibition, War on Walls: Egypt’s Arab Spring street art, is moving into its final phase of preparation. For those

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling.  Mohamed Mahmoud street, Cairo, Egypt.

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling. Mohamed Mahmoud street, Cairo, Egypt.

who haven’t heard, I’m displaying my photography project War on Walls in Seattle January 11- February 15, 2015. War on Walls is a photography project to document Egypt’s important and provocative Arab Spring street art. Street art was a defining feature of the Egyptian revolution: raising awareness of political and economic issues, pressuring the regime and governing bodies for change, injecting dark humor into turbulent times, and providing a visual memory of important events and individuals. The street artists’ work featured revolutionary slogans, criticisms of the government, portraits of government figures, tributes to martyrs, comments on social issues, and depictions of key events. The emerging street art movement was a creative expression of the Egyptian people’s frustration and desire for freedom, as well as a way to physically reclaim space in Cairo as belonging to the people rather than the government.

Living on Tahrir Square, I observed the wall art grow and change to reflect current events and the demands for social, political and economic change. These increasingly complex, yet temporary murals were not political organs of any particular group. Rather, they were created and funded by the artists themselves, who spent thousands of Egyptian Pounds (EGP) to create these paintings, only to have the government eventually white wash the walls to remove them. Nonetheless, the wall art became more and more complex and expansive as the Arab Spring wore on.

I was inspired by the artists’ dedication to creating these complex, culturally significant expressions of the Egyptian peoples’ complaints and demands, knowing the ephemeral life that each masterpiece would have. The photographs in this exhibit are my effort to preserve some important examples of this extraordinary art movement.

I’m in the processing of printing and framing the 15 stunning images that will comprise the bulk of the exhibit (this limited

Exhibit prints all printed. Ready for framing!

Exhibit prints all printed. Ready for framing!

edition prints will be available for purchase after the exhibit closes). I’ve been learning a lot about what it takes to fund, put together and hold and exhibition. Turns out its only 20% exhibition and 80% researching, grant writing, coordinating, designing the exhibit and emails, emails, emails. I’m excited to be in the home stretch. I just visited my amazing printer, The Color Group, and picked up all my prints. They look gorgeous and do justice to both the photographs and the street art. Dropping off the prints at my framer, Juanita who owns Frame It, I can see this exhibit being ready to install in January 9th. Stay tuned for all the details on the exhibition opening and evening events.

Posted in Arab Spring, Egypt, Exhibition, Photos Also tagged , , |