War on Walls Featured In Aspect:Ratio Magazine of Photography

I’m excited to announce that my photography project, War on Walls, has been published in the British photography magazine Aspect: Ratio Magazine of Photography. War on Walls is a photography project to document the extraordinary street art, created in and around Cairo’s Tahrir Square during Egypt’s Arab Spring revolution. Street art was a defining feature of the Egyptian revolution: raising awareness of political and economic issues, pressuring the regime and governing bodies for change, injecting dark humor into turbulent times, and providing a visual memory of important events and individuals. The street artists’ work featured revolutionary slogans, criticisms of the government, portraits of government figures, tributes to martyrs, comments on social issues, and depictions of key revolutionary events. The emerging street art movement was a creative expression of the Egyptian people’s frustration and desire for freedom, as well as a way to physically reclaim space in Cairo as belonging to the people rather than the government.

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling. Mohamed Mahmoud street, Cairo, Egypt.

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling. Mohamed Mahmoud street, Cairo, Egypt.

Aspect: Ratio Magazine of Photography is a London-based biannual magazine for contemporary photojournalism. This publication is a wonderful, independent voice in the current media sphere that helps photographers and photojournalists share the stories that matter and the stories which need to be told.

I’m very honored to have War on Walls featured in the latest issue of Aspect:Ratio and to be included with a group of wonderful and very talented photographers who are sharing a wide range of powerful stories they cover and care about deeply.

You can read my War on Walls photo essay and article here. And check out this 4th edition of Aspect:Ratio in its entirety here. If you like what you see, I encourage you to subscribe to this wonderful magazine and support the great work they do.

Aspect Ratio Image

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Upcoming Lecture: American Research Center in Egypt (ARCE) – Ancient Egyptian Iconography in the Egypt Arab Spring Street Art

Dear Friends, Family and Fellow Travelers

I’m tremendously excited to announce that I will be speaking that the American Research Center in Egypt (ARCE)’s Northwest Chapter on December 3rd at the University of Washington. I will be lecturing on the use of ancient Egyptian iconography in the Arab Spring street art. Speaking at the very prestigious American Research Center in Egypt is a dream com true, though not quite how I expected.

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Started in 1948, the American Research Center in Egypt (ARCE) is a nonprofit organization which supports research on all aspects of Egyptian history and culture, encourages broader knowledge about Egypt among the general public, and strengthens American-Egyptian cultural relations. ARCE funds many of the top archaeology research and conservation projects in Egypt. Its work is critical in both learning about Ancient Egyptian culture, but also in preserving the antiquities. ARCE is one of the most prestigious organizations in the archaeology field – not just in Egyptology. You can thank them for the fact that you can still walk the halls of Karnak. get up close and personal with the New Kingdom Pharaohs in the Valley of the Kings, that we know that slaves (and aliens ) did NOT build the pyramids, any many other of the major archaeological finds and also that the sites are preserved enough for us to visit them.

I attended my very first ARCE lecture as an archaeology student at the University of Washington. I was studying Egyptology; it was exciting to be able to listen to presentations by top Egyptologists. I attended as many ARCE lectures as I could, listening to research by greats such as Dr. Mark Lehner, Dr. Kent Weeks, Gay Robbins, Dr. Salima Ikram, and many others. I attended my first ARCE conference shortly after graduating university when the annual ARCE conference was held in Seattle. Attending presentations by Dr. Mark Lehner (We can thank him for pretty much everything we known about the workers who built the Great Pyramid.) and Dr. Gunter Dreyer (His work at Abydos and Umm el-Qa’ab is legendary. Without Dr. Dreyer we’d know very little about the earliest, most powerful Pharaohs.) were two big bucket list items I was able to check off at this conference. I thought that someday I might speak at ARCE through archaeological research and study. Then life took me down another path — to climbing, running a magazine, traveling and photography. Life has a funny way of coming full circle in the most unexpected ways.

Dug up this old phot from the 2008 ARCE conference. Making new archaeology friends at the ARCE conference.

Dug up this old photo from the 2008 ARCE conference. Making new archaeology friends and sharing a love for Egyptology. Photo: Genevieve Hathaway.

Seeing the legendary Dr. Gunter Dreyer speak. We can thank him for knowing so much about the first dynasty pharaohs.

Seeing the legendary Dr. Gunter Dreyer speak. We can thank him for knowing so much about the first dynasty pharaohs. Photo: Genevieve Hathaway

 

Aerial view of Medinet Habu, Ramses III's Mortuary Temple. One of the many places where ARCE funds research and conservation. Photo: Genevieve Hathaway.

Aerial view of Medinet Habu, Ramses III’s Mortuary Temple. One of the many places where ARCE funds research and conservation. Photo: Genevieve Hathaway.

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War on Walls Exhibit Wrap-Up

On Monday, I wrapped up my War on Walls exhibit at St. Mark’s Cathedral.  It’s been an exciting few weeks sharing my War on Image 6Walls photography project and exhibit at St. Mark’s Cathedral gallery space. This exhibit has been many years in the making. This photography project began on the streets of Cairo during the Arab Spring, photographing Egypt’s Arab Spring street art. In addition, to being an important part of Egypt’s Arab Spring, the street art has also been an art movement based on strong asethics and drawing on art traditions and history from a variety of eras and time periods. It was the beauty and complex nature of this art movement, as well as it’s ability to address current events, that inspired and peaked my interest. I then spent the next three years curating and research the photographs and street art movement, publishing a book on Egypt’s Arab Spring street art, and now holding a photography exhibit of this project. It’s been a joy to share these photographs and the stories behind them. I was impressed by the diverse audience who visited the exhibits — the St. Mark’s community, Saudi Arabian students, UW graduate students focusing on Middle East studies, university professors, journalism students, the business community, members of the World Affairs Council, street artists, the Seattle community.

It’s been rewarding to see my photography project installed in the beautiful exhibit space of St. Mark’s Cathedral. The large, stain glass windows give the space gorgeous, diffused light that complements the photographs. This gallery space is a unique place to hold an exhibit. And it’s been such a joy to share this unique Arab Spring narrative and different perspective with the Seattle community.

This exhibit was made possible by grants from the Seattle Office of Arts and Culture smARTVenture grant and the MidEast Ministry grant.

So what’s next? I will be heading back to the Middle East and North Africa for my women’s tours to the region. My company ArchaeoAdventures Tours has developed a new set of exciting women’s tours to Egypt, Jordan and Morocco. I will be meeting with vendors, researching all the latest cultural events and current situations, and creating photographic and video content. For all the latest travel news and to get inspired for your next trip follow us on Facebook or ArchaeoAdventures’ blog.

Below are a few images of the exhibit.

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Exhibit 2

 

 

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Latest on War on Walls – Articles, Events and Other Coverage

The exhibit has been going great! We had over 100 people attend the Sunday January 11th opening. I’ve received wonderful feedback from attendees and exhibit visitors.

I’m excited to announce that my exhibit War on Walls is being featured in an article in Seattle’s Capitol Hill Times. I recently sat with with reporter Kyle Jensen to discuss Egypt’s Arab Spring street art and my photography project to document this art movement.

Read the Capitol Hill Times article here.

War on Walls photography exhibit also was recently featured on ArtNet.

The online publication Planet Waves featured my War on Walls photography project and exhibit in their recent weekly subscriber edition.

The World Affair’s Council has also featured War on Walls on their website.  I will be the opening speaker at their upcoming Revisiting The Arab Spring event, which includes a panel discussion on the Arab Spring as well as a late night viewing of my photography exhibit.

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War on Walls Exhibit is NOW OPEN

I’m excited to announce that my exhibit War on Walls: Egypt’s Arab Spring Street Art is now open to the public! On Sunday we held the opening reception for the exhibit and it was a smashing success with a huge guest attendance!

Details on Exhibit:

St. Mark’s Cathedral Nave
Capitol Hill, Seattle
January 11 – February 15, 2015
Daily 7am-7pm; free to public

To purchase one of the limited edition fine art prints from the exhibit contact genevieve@geneveivehathaway.coom (note they are going fast so purchase yours before they are sold out).

My exhibit War on Walls is now open to the public. Stop by St. Mark's Cathedral to look at this groundbreaking photography project.

My exhibit War on Walls is now open to the public. Stop by St. Mark’s Cathedral to look at this groundbreaking photography project. Photo courtesy of Truc Allen Media.

War on Walls has been a 3 year long journey to photograph the Arab Spring street art, publish the project as a book and now hold it as an exhibit. During that time, I also had a number of public speaking engagements on the topic at conferences and universities. From Cairo, to Melbourne, to Seattle, to Brown University to Oregon State University, this project spanned three continents, three countries, and two hemispheres. (Who knows what’s next, maybe a traveling exhibit??? And exhibit in Europe. If you have connections or ideas drop me an email, I’d love to hear from you!)

For me this journey began back in 2003 when I was studying Egyptology at the American University in Cairo. At that time, the AUC campus was located on Tahrir Square. I studied Egypt’s most famous pharaohs and ancient piles of rubble on the street where the largest massacres and protests of Egypt’s revolution took place. Though today AUC’s campus is outside of Cairo at the town of Heliopolis, the former AUC campus on Tahrir Square and Mohammed Mahmoud street is still used as admin buildings, bookshops and libraries. Most of the images shown from Egypt’s revolution and these street art images in this exhibit took place in front of the buildingswhere I studied in 2003. Behind the image of Mubarak and Tantawi’s faces merged together, that is where I had a Cultural Geography Class. The image of the two bulls fighting that looks reminiscent of Guernica, behind that wall was the building where I would use the computer lab. (They had a fleet of dot matrix printers, so old I had never seen one but knew the perforated edges that you tear off. ) This personal connection to the streets and buildings where Egypt’s revolution took place made the Arab Spring and this project to photograph its street art even more personal.

Fastforward to 2012.  When I began this project in early 2012, I was working in Cairo, living in a hotel room facing onto Tahrir Square. The regime had toppled, former President Hosni Mubarak had been forced to resign a year earlier and presidential elections had been scheduled for June 2012, just a few months away. Tahrir Square teamed with individual protestors, formal political groups and random citizens, giving voice to every type of civil complaint – from politics and police to taxes, utility expenses, and traffic congestion.

Street art was a defining feature of the Egyptian revolution: raising awareness of political and economic issues, pressuring the regime and governing bodies for change, injecting dark humor into turbulent times, and providing a visual memory of important events and individuals.

Living on Tahrir Square, I observed the wall art grow and change to reflect current events and the demands for social, political and economic change. I was inspired by the artists’ dedication to creating these complex, culturally significant expressions of Egypt’s Arab Spring. For me, photography is a powerful tool to change perspectives and share untold stories. In creating these photographs, I intend to show a different side to Egypt’s Arab Spring revolution – the ability of art to change individual’s perspectives and impact larger social movements.

I hope you enjoy the exhibit! Email me at genevieve@genevievehathaway.com with thoughts or questions or post them in the comments.

Thank you to St. Mark’s Visual Arts Ministry, MidEast Ministry and also the Seattle Office of Arts and Culture for their support of this exhibit.

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War on Walls Exhibit Is Up at St. Mark’s Cathedral!

I’m excited to announce that we successfully installed the War on Walls exhibit today. I would like to thank the wonderful folks at the Visual Arts Ministry for the smooth installation. The exhibit looks breathtaking!

Panorama War on Walls Exhibit. Photo: Eirik Nalder.

Panorama War on Walls Exhibit. Photo: Eirik Nalder.

This has been a three year journey. First on the streets of Cairo in 2012 photographing Egypt’s important and evocative Arab Spring street art. When I began this project in early 2012, I was working in Cairo, living in a hotel room facing onto Tahrir Square. The regime had toppled, former President Hosni Mubarak had been forced to resign a year earlier and presidential elections had been scheduled for June 2012, just a few months away. Tahrir Square teamed with individual protestors, formal political groups and random citizens, giving voice to every type of civil complaint – from politics and police to taxes, utility expenses, and traffic congestion.

Living on Tahrir Square, I observed the wall art grow and change to reflect current events and the demands for social, political and economic change. These increasingly complex, yet temporary murals were not political organs of any particular group. Rather, they were created and funded by the artists themselves, who spent thousands of Egyptian Pounds (EGP) to create these paintings, only to have the government eventually white wash the walls to remove them. Nonetheless, the wall art became more and more complex and expansive as the Arab Spring wore on.

I was inspired by the artists’ dedication to creating these complex, culturally significant expressions of the Egyptian peoples’ complaints and demands, knowing the ephemeral life that each masterpiece would have. The photographs gathered in this project are my effort to preserve some important examples of this extraordinary art movement.

It is my hope that War on Walls will convey not only the craft of these artists, but also the messages that inspired the street artists to express the soul and dreams of the Egyptian peoples’ revolution. These murals tell the story of Egypt’s Arab Spring through some of the most beautiful, expressive and iconic wall images ever created. War on Walls preserves important examples of this extraordinary art movement. The book aims to convey not only the craft of these artists, but also the messages that inspired the street artists to express the soul and dreams of the Egyptian peoples’ revolution. These murals tell the story of Egypt’s Arab Spring through some of the most beautiful, expressive and iconic wall images ever created.

This journey from inception of the project to the culmination in an exhibition has spanned 3 years, two hemispheres,

War on Walls Exhibit. St. Mark's Cathedral, Seattle, WA.

War on Walls Exhibit. St. Mark’s Cathedral, Seattle, WA.

three continents and three countries – from Egypt to Australia to the US. Then a year researching and publishing the book War on Walls. And now the final phase — creating and producing an engaging exhibit of this body of work. For the past 6 months, I have been working on this exhibit. At times, it’s been another full time job, a job that I’ve loved and journey that has taught me a lot about exhibits, grants, fine art printing and framing. The result is a truly stunning set of 15 photographs located in an atmospheric and impressive exhibit space.

Please join me Sunday January 11, 2015 from 12:30pm – 3:30pm (I would like to thank the NFL for scheduling the Seahawks game on Saturday. Hats off to you guys. Nice planning.) at St. Mark’s Cathedral on Capitol Hill for the opening reception of this exhibit.

The exhibit runs from January 11, 2015 – February 15, 2015. It is free to the public, open daily 7am-7pm (except for Mass on Sunday).

TAKE A PIECE OF THE ARAB SPRING STREET ART HOME WITH YOU! The limited editions fine art prints that are hanging in the exhibit are available for sale. This is a one time printing using the highest quality ink, paper, hand cut matting and frame. The prints are available for purchase now, so purchase the print you would like early to ensure that you get the print you would like. Email me at genevieve@genevievehathaway.com for further questions or to purchase one of the prints.

Procession for the martyrs. Mohammed Mahmoud Street. Cairo, Egypt. War on Walls.

Procession for the martyrs. Mohammed Mahmoud Street. Cairo, Egypt. War on Walls.<hr>

I would like to thank the Seattle Office of Arts and Culture and St. Mark’s MidEast Ministry for their support in the form of grants and donations.

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Update: War on Walls Prints Ready to Exhibit

Recently, I visited my framer, Frame It in Seattle, to sign the limited edition fine art prints for my War on Walls photography exhibit. I’m excited how the prints and matts turned out — they look stunning! I invested in the highest quality ink, paper, custom cut matts and frames. The results has been stunning fine art prints of my War on Walls photographs, documenting Egypt’s Arab Spring street art.

This personal project has been ongoing now for 3 years. The project began in early 2012 while I was living on Tahrir Square. I witnessed the importance and impact of the ever changing street art and knew it had to be preserved and documented in a visual medium. I began photographing Egypt’s Arab Spring street art and researching the complex messages being left by artists. In 2013, I published the project as a book, then went on to speak about the impact of the Arab Spring street art at many universities and conferences. The final evolution of this project is exhibiting the most important, iconic and provocative of the images at St. Marks Cathedral on Capitol Hill beginning January 11th through February 15th.

Join us on January 11th, from 12:30pm-3:30pm for the opening reception. The gallery is in the Nave, open to the public daily 7am-7pm (except Sunday morning during Mass). All the prints will be available for purchase. These are limited edition prints with only one run, so I recommend purchasing them early to ensure you get the one you want. Contact me at genevieve@genevievehathaway.com for further details on purchasing these stunning prints or for additional details on this project.

 

War on Walls Signed Print.

War on Walls Signed Print. Available for purchase at the Seattle exhibit.

 

War on Walls signed print. Available for purchase at the War on Walls exhibit.

War on Walls signed print. Available for purchase at the War on Walls exhibit.

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War on Walls Exhibit Update

My upcoming Exhibition, War on Walls: Egypt’s Arab Spring street art, is moving into its final phase of preparation. For those

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling.  Mohamed Mahmoud street, Cairo, Egypt.

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling. Mohamed Mahmoud street, Cairo, Egypt.

who haven’t heard, I’m displaying my photography project War on Walls in Seattle January 11- February 15, 2015. War on Walls is a photography project to document Egypt’s important and provocative Arab Spring street art. Street art was a defining feature of the Egyptian revolution: raising awareness of political and economic issues, pressuring the regime and governing bodies for change, injecting dark humor into turbulent times, and providing a visual memory of important events and individuals. The street artists’ work featured revolutionary slogans, criticisms of the government, portraits of government figures, tributes to martyrs, comments on social issues, and depictions of key events. The emerging street art movement was a creative expression of the Egyptian people’s frustration and desire for freedom, as well as a way to physically reclaim space in Cairo as belonging to the people rather than the government.

Living on Tahrir Square, I observed the wall art grow and change to reflect current events and the demands for social, political and economic change. These increasingly complex, yet temporary murals were not political organs of any particular group. Rather, they were created and funded by the artists themselves, who spent thousands of Egyptian Pounds (EGP) to create these paintings, only to have the government eventually white wash the walls to remove them. Nonetheless, the wall art became more and more complex and expansive as the Arab Spring wore on.

I was inspired by the artists’ dedication to creating these complex, culturally significant expressions of the Egyptian peoples’ complaints and demands, knowing the ephemeral life that each masterpiece would have. The photographs in this exhibit are my effort to preserve some important examples of this extraordinary art movement.

I’m in the processing of printing and framing the 15 stunning images that will comprise the bulk of the exhibit (this limited

Exhibit prints all printed. Ready for framing!

Exhibit prints all printed. Ready for framing!

edition prints will be available for purchase after the exhibit closes). I’ve been learning a lot about what it takes to fund, put together and hold and exhibition. Turns out its only 20% exhibition and 80% researching, grant writing, coordinating, designing the exhibit and emails, emails, emails. I’m excited to be in the home stretch. I just visited my amazing printer, The Color Group, and picked up all my prints. They look gorgeous and do justice to both the photographs and the street art. Dropping off the prints at my framer, Juanita who owns Frame It, I can see this exhibit being ready to install in January 9th. Stay tuned for all the details on the exhibition opening and evening events.

Posted in Arab Spring, Egypt, Exhibition, Photos Tagged , , , |

Announcement: Upcoming Exhibition

I’m excited to announce that War on Walls: Egypt’s Arab Spring Street Art will be exhibited in Seattle, Washington, USA in January – February, 2015. The most important, provocative and creative images from this photography project will be displayed in the gallery space at St. Marks Cathedral on Capitol Hill. The displayed prints will also be available for purchase after the exhibition ends. All proceeds will go to help fund my next personal project to photograph and tell the story of women entrepreneurs in the Middle East who are changing the Middle East through leading the way in business.

Stay tuned for more details on my War on Walls exhibition. I will be posting information on the finalized dates of the exhibition, as well as, details on the date for the opening gala.

Image of chaos. Mohamed Mahmoud Street, Cairo, Egypt. Photo: Genevieve Hathaway Photography.

Image of chaos. Mohamed Mahmoud Street, Cairo, Egypt. Photo: Genevieve Hathaway Photography.

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Softcover Now Available!

War on Walls is now available as an 8×8 softcover through MagCloud!

War on Walls: Egypt's Arab Spring Street Art

By Genevieve Hathaway

68 pages, published 3/11/2014

War on Walls is a collection of extraordinary street art, created in and around Cairo’s Tahrir Square during Egypt’s Arab Spring revolution. Street art was a defining feature of the Egyptian revolution: raising awareness of political and economic issues, pressuring the regime and governing bodies for change, injecting dark humor into turbulent times, and providing a visual memory of important events and individuals. The emerging street art…
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