Tag Archives: Arab Spring

War on Walls Featured In Aspect:Ratio Magazine of Photography

I’m excited to announce that my photography project, War on Walls, has been published in the British photography magazine Aspect: Ratio Magazine of Photography. War on Walls is a photography project to document the extraordinary street art, created in and around Cairo’s Tahrir Square during Egypt’s Arab Spring revolution. Street art was a defining feature of the Egyptian revolution: raising awareness of political and economic issues, pressuring the regime and governing bodies for change, injecting dark humor into turbulent times, and providing a visual memory of important events and individuals. The street artists’ work featured revolutionary slogans, criticisms of the government, portraits of government figures, tributes to martyrs, comments on social issues, and depictions of key revolutionary events. The emerging street art movement was a creative expression of the Egyptian people’s frustration and desire for freedom, as well as a way to physically reclaim space in Cairo as belonging to the people rather than the government.

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling. Mohamed Mahmoud street, Cairo, Egypt.

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling. Mohamed Mahmoud street, Cairo, Egypt.

Aspect: Ratio Magazine of Photography is a London-based biannual magazine for contemporary photojournalism. This publication is a wonderful, independent voice in the current media sphere that helps photographers and photojournalists share the stories that matter and the stories which need to be told.

I’m very honored to have War on Walls featured in the latest issue of Aspect:Ratio and to be included with a group of wonderful and very talented photographers who are sharing a wide range of powerful stories they cover and care about deeply.

You can read my War on Walls photo essay and article here. And check out this 4th edition of Aspect:Ratio in its entirety here. If you like what you see, I encourage you to subscribe to this wonderful magazine and support the great work they do.

Aspect Ratio Image

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Upcoming Lecture: American Research Center in Egypt (ARCE) – Ancient Egyptian Iconography in the Egypt Arab Spring Street Art

Dear Friends, Family and Fellow Travelers

I’m tremendously excited to announce that I will be speaking that the American Research Center in Egypt (ARCE)’s Northwest Chapter on December 3rd at the University of Washington. I will be lecturing on the use of ancient Egyptian iconography in the Arab Spring street art. Speaking at the very prestigious American Research Center in Egypt is a dream com true, though not quite how I expected.

ARCE image_2

Started in 1948, the American Research Center in Egypt (ARCE) is a nonprofit organization which supports research on all aspects of Egyptian history and culture, encourages broader knowledge about Egypt among the general public, and strengthens American-Egyptian cultural relations. ARCE funds many of the top archaeology research and conservation projects in Egypt. Its work is critical in both learning about Ancient Egyptian culture, but also in preserving the antiquities. ARCE is one of the most prestigious organizations in the archaeology field – not just in Egyptology. You can thank them for the fact that you can still walk the halls of Karnak. get up close and personal with the New Kingdom Pharaohs in the Valley of the Kings, that we know that slaves (and aliens ) did NOT build the pyramids, any many other of the major archaeological finds and also that the sites are preserved enough for us to visit them.

I attended my very first ARCE lecture as an archaeology student at the University of Washington. I was studying Egyptology; it was exciting to be able to listen to presentations by top Egyptologists. I attended as many ARCE lectures as I could, listening to research by greats such as Dr. Mark Lehner, Dr. Kent Weeks, Gay Robbins, Dr. Salima Ikram, and many others. I attended my first ARCE conference shortly after graduating university when the annual ARCE conference was held in Seattle. Attending presentations by Dr. Mark Lehner (We can thank him for pretty much everything we known about the workers who built the Great Pyramid.) and Dr. Gunter Dreyer (His work at Abydos and Umm el-Qa’ab is legendary. Without Dr. Dreyer we’d know very little about the earliest, most powerful Pharaohs.) were two big bucket list items I was able to check off at this conference. I thought that someday I might speak at ARCE through archaeological research and study. Then life took me down another path — to climbing, running a magazine, traveling and photography. Life has a funny way of coming full circle in the most unexpected ways.

Dug up this old phot from the 2008 ARCE conference. Making new archaeology friends at the ARCE conference.

Dug up this old photo from the 2008 ARCE conference. Making new archaeology friends and sharing a love for Egyptology. Photo: Genevieve Hathaway.

Seeing the legendary Dr. Gunter Dreyer speak. We can thank him for knowing so much about the first dynasty pharaohs.

Seeing the legendary Dr. Gunter Dreyer speak. We can thank him for knowing so much about the first dynasty pharaohs. Photo: Genevieve Hathaway

 

Aerial view of Medinet Habu, Ramses III's Mortuary Temple. One of the many places where ARCE funds research and conservation. Photo: Genevieve Hathaway.

Aerial view of Medinet Habu, Ramses III’s Mortuary Temple. One of the many places where ARCE funds research and conservation. Photo: Genevieve Hathaway.

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War on Walls Exhibit is NOW OPEN

I’m excited to announce that my exhibit War on Walls: Egypt’s Arab Spring Street Art is now open to the public! On Sunday we held the opening reception for the exhibit and it was a smashing success with a huge guest attendance!

Details on Exhibit:

St. Mark’s Cathedral Nave
Capitol Hill, Seattle
January 11 – February 15, 2015
Daily 7am-7pm; free to public

To purchase one of the limited edition fine art prints from the exhibit contact genevieve@geneveivehathaway.coom (note they are going fast so purchase yours before they are sold out).

My exhibit War on Walls is now open to the public. Stop by St. Mark's Cathedral to look at this groundbreaking photography project.

My exhibit War on Walls is now open to the public. Stop by St. Mark’s Cathedral to look at this groundbreaking photography project. Photo courtesy of Truc Allen Media.

War on Walls has been a 3 year long journey to photograph the Arab Spring street art, publish the project as a book and now hold it as an exhibit. During that time, I also had a number of public speaking engagements on the topic at conferences and universities. From Cairo, to Melbourne, to Seattle, to Brown University to Oregon State University, this project spanned three continents, three countries, and two hemispheres. (Who knows what’s next, maybe a traveling exhibit??? And exhibit in Europe. If you have connections or ideas drop me an email, I’d love to hear from you!)

For me this journey began back in 2003 when I was studying Egyptology at the American University in Cairo. At that time, the AUC campus was located on Tahrir Square. I studied Egypt’s most famous pharaohs and ancient piles of rubble on the street where the largest massacres and protests of Egypt’s revolution took place. Though today AUC’s campus is outside of Cairo at the town of Heliopolis, the former AUC campus on Tahrir Square and Mohammed Mahmoud street is still used as admin buildings, bookshops and libraries. Most of the images shown from Egypt’s revolution and these street art images in this exhibit took place in front of the buildingswhere I studied in 2003. Behind the image of Mubarak and Tantawi’s faces merged together, that is where I had a Cultural Geography Class. The image of the two bulls fighting that looks reminiscent of Guernica, behind that wall was the building where I would use the computer lab. (They had a fleet of dot matrix printers, so old I had never seen one but knew the perforated edges that you tear off. ) This personal connection to the streets and buildings where Egypt’s revolution took place made the Arab Spring and this project to photograph its street art even more personal.

Fastforward to 2012.  When I began this project in early 2012, I was working in Cairo, living in a hotel room facing onto Tahrir Square. The regime had toppled, former President Hosni Mubarak had been forced to resign a year earlier and presidential elections had been scheduled for June 2012, just a few months away. Tahrir Square teamed with individual protestors, formal political groups and random citizens, giving voice to every type of civil complaint – from politics and police to taxes, utility expenses, and traffic congestion.

Street art was a defining feature of the Egyptian revolution: raising awareness of political and economic issues, pressuring the regime and governing bodies for change, injecting dark humor into turbulent times, and providing a visual memory of important events and individuals.

Living on Tahrir Square, I observed the wall art grow and change to reflect current events and the demands for social, political and economic change. I was inspired by the artists’ dedication to creating these complex, culturally significant expressions of Egypt’s Arab Spring. For me, photography is a powerful tool to change perspectives and share untold stories. In creating these photographs, I intend to show a different side to Egypt’s Arab Spring revolution – the ability of art to change individual’s perspectives and impact larger social movements.

I hope you enjoy the exhibit! Email me at genevieve@genevievehathaway.com with thoughts or questions or post them in the comments.

Thank you to St. Mark’s Visual Arts Ministry, MidEast Ministry and also the Seattle Office of Arts and Culture for their support of this exhibit.

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Update: War on Walls Prints Ready to Exhibit

Recently, I visited my framer, Frame It in Seattle, to sign the limited edition fine art prints for my War on Walls photography exhibit. I’m excited how the prints and matts turned out — they look stunning! I invested in the highest quality ink, paper, custom cut matts and frames. The results has been stunning fine art prints of my War on Walls photographs, documenting Egypt’s Arab Spring street art.

This personal project has been ongoing now for 3 years. The project began in early 2012 while I was living on Tahrir Square. I witnessed the importance and impact of the ever changing street art and knew it had to be preserved and documented in a visual medium. I began photographing Egypt’s Arab Spring street art and researching the complex messages being left by artists. In 2013, I published the project as a book, then went on to speak about the impact of the Arab Spring street art at many universities and conferences. The final evolution of this project is exhibiting the most important, iconic and provocative of the images at St. Marks Cathedral on Capitol Hill beginning January 11th through February 15th.

Join us on January 11th, from 12:30pm-3:30pm for the opening reception. The gallery is in the Nave, open to the public daily 7am-7pm (except Sunday morning during Mass). All the prints will be available for purchase. These are limited edition prints with only one run, so I recommend purchasing them early to ensure you get the one you want. Contact me at genevieve@genevievehathaway.com for further details on purchasing these stunning prints or for additional details on this project.

 

War on Walls Signed Print.

War on Walls Signed Print. Available for purchase at the Seattle exhibit.

 

War on Walls signed print. Available for purchase at the War on Walls exhibit.

War on Walls signed print. Available for purchase at the War on Walls exhibit.

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War on Walls Exhibit Update

My upcoming Exhibition, War on Walls: Egypt’s Arab Spring street art, is moving into its final phase of preparation. For those

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling.  Mohamed Mahmoud street, Cairo, Egypt.

Alaa Awad painted this scene showing bulls fighting, a reference to the Ancient Egyptian Apis Bull, a symbol of power and authority. This mural was designed to translate the chaos, pain and uncertainty Egyptians were feeling. Mohamed Mahmoud street, Cairo, Egypt.

who haven’t heard, I’m displaying my photography project War on Walls in Seattle January 11- February 15, 2015. War on Walls is a photography project to document Egypt’s important and provocative Arab Spring street art. Street art was a defining feature of the Egyptian revolution: raising awareness of political and economic issues, pressuring the regime and governing bodies for change, injecting dark humor into turbulent times, and providing a visual memory of important events and individuals. The street artists’ work featured revolutionary slogans, criticisms of the government, portraits of government figures, tributes to martyrs, comments on social issues, and depictions of key events. The emerging street art movement was a creative expression of the Egyptian people’s frustration and desire for freedom, as well as a way to physically reclaim space in Cairo as belonging to the people rather than the government.

Living on Tahrir Square, I observed the wall art grow and change to reflect current events and the demands for social, political and economic change. These increasingly complex, yet temporary murals were not political organs of any particular group. Rather, they were created and funded by the artists themselves, who spent thousands of Egyptian Pounds (EGP) to create these paintings, only to have the government eventually white wash the walls to remove them. Nonetheless, the wall art became more and more complex and expansive as the Arab Spring wore on.

I was inspired by the artists’ dedication to creating these complex, culturally significant expressions of the Egyptian peoples’ complaints and demands, knowing the ephemeral life that each masterpiece would have. The photographs in this exhibit are my effort to preserve some important examples of this extraordinary art movement.

I’m in the processing of printing and framing the 15 stunning images that will comprise the bulk of the exhibit (this limited

Exhibit prints all printed. Ready for framing!

Exhibit prints all printed. Ready for framing!

edition prints will be available for purchase after the exhibit closes). I’ve been learning a lot about what it takes to fund, put together and hold and exhibition. Turns out its only 20% exhibition and 80% researching, grant writing, coordinating, designing the exhibit and emails, emails, emails. I’m excited to be in the home stretch. I just visited my amazing printer, The Color Group, and picked up all my prints. They look gorgeous and do justice to both the photographs and the street art. Dropping off the prints at my framer, Juanita who owns Frame It, I can see this exhibit being ready to install in January 9th. Stay tuned for all the details on the exhibition opening and evening events.

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Announcement: Upcoming Exhibition

I’m excited to announce that War on Walls: Egypt’s Arab Spring Street Art will be exhibited in Seattle, Washington, USA in January – February, 2015. The most important, provocative and creative images from this photography project will be displayed in the gallery space at St. Marks Cathedral on Capitol Hill. The displayed prints will also be available for purchase after the exhibition ends. All proceeds will go to help fund my next personal project to photograph and tell the story of women entrepreneurs in the Middle East who are changing the Middle East through leading the way in business.

Stay tuned for more details on my War on Walls exhibition. I will be posting information on the finalized dates of the exhibition, as well as, details on the date for the opening gala.

Image of chaos. Mohamed Mahmoud Street, Cairo, Egypt. Photo: Genevieve Hathaway Photography.

Image of chaos. Mohamed Mahmoud Street, Cairo, Egypt. Photo: Genevieve Hathaway Photography.

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Behind The Scenes: Brown University’s Social Media and Political Change in Latin America and the Middle East Conference

Last week, I participated as a panelist and speaker in Brown University’s Social Media and Political Change in Latin America and the Middle East Conference. Brown University’s Watson

At Brown University's Social Media and Political Change conference. I spoke on Egypt's Arab Spring street art. Photo: Genevieve Hathaway Photography.

At Brown University’s Social Media and Political Change conference. I spoke on Egypt’s Arab Spring street art. Photo: Genevieve Hathaway Photography.

Institute asked me to speak on the Arab Spring street art movement in Egypt. Over the past two years, I’ve been completing a project called War on Walls — researching and photographing Egypt’s most important, iconic, provocative and creative Arab Spring street art. I was honored to be able to share this project and topic I am passionate about with conference attendees and the interwebs via the webcast the Watson Institute set up to live stream the conference. (You can still catch the conference in its entirety here: http://mediacapture.brown.edu:8080/ess/echo/presentation/4a890168-7e38-49f9-a691-80ab4684b3e9)

Brown University is a beautiful campus located close to the center of Providence, Rhode Island. I was lucky to visit on a sunny Fall day. The leaves were changing on the trees, filling the streets with bright yellows, tawny reds and burnt oranges. I love old architecture. I spent quite a bit of time during my stay in Providence wandering the 400 year old cobblestone streets lined with elegant colonial mansions painted an assortment of pastel and bright colors. Brown University’s main campus is comprised of a series of stately brick and columned buildings organized around grass courtyards.

The conference began with the showing of the Film “NO”, which followed the Chilean NO campaign that ousted Chilean dictator Augusto Pinochet. Former Chilean President Ricardo Lagos and NO campaign director Genaro Arriagada. Both spoke about the NO campaign in Chile.

 

The first panel of the conference with speakers Ricardo Lagos, Diamela Eltit, Jorge Arrate, and Genaro Arriagada. Photo: Genevieve Hathaway Photography.

The first panel of the conference with speakers Ricardo Lagos, Diamela Eltit, Jorge Arrate, and Genaro Arriagada. Photo: Genevieve Hathaway Photography.

The next morning, the conference continued with a panel discussing political change in Chile. The panel included former President of Chile and Professor-at-Large of Brown University Ricardo Lagos, Director of the NO campaign and former Chilean Ambassador to the US Genaro Arriagada, Chilean writer and Distinguished Global Professor of Creative Writing in Spanish at New York University Diamela Eitit, and former Chilean Minister Jorge Arrate. My draw dropped when I first learned of that powerhouse panel. And they delivered riveting discussions. The panel discussed how change took place in Chile and how it was or was not successful.

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Speaking Announcement: Brown University’s Social Media and Change Conference

Exciting announcement — I will be speaking at Brown University’s Social Media and Political Change in Latin American and the Middle East Conference on October 4. I will be presenting on the situation in Egypt and how street art was utilized to spread messages of Egypt’s Arab Spring revolution. The conference will consist of three panels.

The first panel, which will focus on the case of Chile in light of the 25th anniversary of the 1988 plebiscite that ended Pinochet’s dictatorship, will feature former President of Chile and Brown University Professor at Large Ricardo Lagos; former Chilean Ambassador to the United States and director of the “no” campaign Genaro Arriagada; Chilean writer and activist Diamela Eltit; and former Chilean Ambassador to Argentina Jorge Arrate.

The second panel will include recent Brown University alumni Alexandra Ulmer and Taylor Barnes, who are working as journalists in Chile and Brazil, respectively, as well as journalist Claudia López of Colombia. The focus of this panel will be political change and social media from the perspective of practitioners.

Finally, the discussion will expand to include countries from other regions, specifically Turkey and Egypt, with a panel chaired by Director of Middle Eastern Studies Beshara Doumani. The panelists will be Nukhet Sandal (Ohio University), who will speak about the current situation in Turkey and Genaro Arriagada, Sherine Hamdy (Watson Institute) and myself, we will all be discussing the situation in Egypt.

My panel and presentation will be from 2:30 p.m.-4 p.m on October 4th. You can watch the event live here: http://bit.ly/15U2tjB

You can also follow us on twitter. I will be live tweeting the event from my twitter handle @gshathaway. You can also follow the hashtag #SocialMediaChange. And will be sharing images from the even on Instagram and Facebook. My instagram name is gshathaway and my Facebook page is Genevieve Hathaway Photography.

I will also be checking out the other panels. Feel free to shoot me any questions that you have and I will ask the speakers.

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